How to shoot Super 8 film in 2020, by Lewis Jelley, Storm & Shelter

If you’re like me, and you’ve spent the last decade of your life shooting on digital cameras, from 5Dmk2s all the way up to Sony Venices, shooting on film is probably something that you’ve always…

The Cinematography of: Novo Amor & Ed Tullett Live Sessions

Cooke Anamorphic Primes on a Sony a7S, by Lewis Jelley

The Cinematography of: Novo Amor & Ed Tullett Live Sessions

Amsterdam Night Portraits: Shooting Like Brandon Woelfel

IBC 2017 — Cinematographer's Choice, by Lewis Jelley

Can the a7S' Cine 4 Profile compete with S-Log2?

My Top Tips for Industry Newcomers, by Lewis Jelley

The NUFT to WUFT Scale. When you're a small team trying to…

Jelley's Q&A: Send In Your DoP Questions!

Using Virtual Production methods on small-scale projects.

Anamorphic to Anamorfake — How To Blag That Bokehlicious Filmic

RED Weapon S35 8K RAW: First Impressions, by Lewis Jelley

RED Monstro x IPP2 — First Impressions, by Lewis Jelley